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Sunday, July 31, 2011

Who Am I? and Why Me?

I'm back in Vancouver, a not too shabby spot on the planet to land after a long time in Europe living, eating, loving, and painting ... and blogging about it. We drove from Morruzze to Paris to spend a few days exploring and saying a fond goodbye to Europe, staying in a charming little hotel in the Marais (home to Rabelais).
Today's Thought
Many a trip continues long after the movement in time and space have ceased.
-- John Steinbeck

My re-entry to North America was a very bumpy one, though. I had  had my passport, wallet, cards, etc. stolen in Paris, one of my favorite cities, leaving a cloud hanging over me. I'll spare you the frustrating and exhausting details. But I arrived in Vancouver feeling like a nasty pointed finger was coming down from a dark cloud in the sky and poking right at me.

What did I do wrong? Did I have too much fun in Europe? Did I not mix in sufficient guilt with my dollups of pleasure? Was there some capricious universal principle I'd offended that needed appeasement?  Did I need to curb my enthusiasm?
Another Thought
Travel penetrates your consciousness but not in a rational way.
--Milton Glaser

OK. I know bad things happen to good people. And I'm not even that good. But a whole string of bad things happening? Even after arriving home and the myriad of things you have to do just to re-connect the phone and get the house running, the string of mishaps continued. There were appliances that broke, a computer glitch, things found in the suitcase that had spilled, things not found in the suitcase that should have been there, and more things misplaced or lost in the confusion that was me.

Each day brought a new lament.  I couldn't shake the feeling that it was not only jet-lag I had to endure. but a cloud of misfortune hovering around me. If Ray Bradbury's right about much of the fun of travelling being in the esthetic of lostness, then I should be having a ball! Not so. Lost is how I feel... more now than when travelling. This lost-ness is too concrete and blunt, too externally manufactured (though of course my mindlessness contributed to it), too much of a confederacy of nuisances boiling over into problems to give me anything but a  headache!
Yet Another Possibility
I love to travel but hate to arrive.
--Albert Einstein

Who knows? So, I've been laying low for a while, getting my bearings, cautiously doing what I can each day to put things in order. Trying not to be overwhelmed by the list of things I "have to" do, from getting services reconnected to searching for an affordable studio space in the city.

I have a mid August deadline for a big group juried art exhibit  I'm part of. Hah! it's called Painting On the Edge!  That's where I am right now: on the edge. I've learned (and travelling is part of it)  that artful living involves living earnestly but lightly, intensely but without a heavy footprint. I need to find that way of living here at home....and soon.
Today's Final Thought
He who would travel happily must travel light.
--Antoine de Saint Exupéry

I'm still, trying to collect the bits of light together that make me recognize my own true life while I'm also in the process of reconstructing my official identity here. The sun, at least, is shining graciously. I hear neighbors across the lane having a BBQ. And today, I actually found my long-lost camera!

Tommorrow I venture forth to see some of the friends I've missed.  It's a garden-party. I will try to curb my enthusiasm, just in case.

Once my computer comes back from the repair shop, I'll plan to insert some homecoming artwork for this blog.

Write me, insert comments please. I need some anchor lines.


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Saturday, July 9, 2011

Morruzze: a little Italian village in which nothing happens

all photos by JS
Last night was a beautiful night. We spent it sitting on the stone porch looking out at the sky, its half-moon and stars steadily brightening as the hour approached 10 pm. It was cool at this hour, but the stones still held warmth from the full day’s sunshine. 

The geckos had retired. We’d just finished some deliciously cool and sweet watermelon, its taste mixing with the pleasures of the darkening night with its brightening, star-lit sky. A distant owl was hooting, and the lovely daily birdsong had long been put to rest.  

one of our gecko families on the porch
And then, like sprinkles on ice-cream, fireflies (lucciole) came out, flickering illuminated bits of sparkle upon the night. 

It was peaceful, fragrant, and lovely.  Time out and being in. How few are such moments in most of our life-management styles of living. 


Today’s Thought
Many a night I saw the Pleiads, rising thro' the mellow shade
Glitter like a swarm of fireflies tangled in a silver braid.

-- Alfred Lord Tennyson

My fancies are fireflies
Specks of living light twinkling in the dark.

-- Rabindranath Tagore



The stone country house, to which we returned after an absence of six years, has been our home for the past several months in Italy. You've seen pictures of it in my previous posts. It's like so many in this region, which mandates that homes be kept to a certain,very agreeable, style. It's really beautiful to see the different harmonies of simple shapes and colors in the stonework. 
Soon we’ll be leaving this house we've just lived in once again, returning to Canada after a remarkable nine months in Europe. 

Morruzze in early April

Why live in this tiny village commune of Morruzze in Umbria? 

I’ve written and shown pictures of this place in previous posts. So I’ll now show you one of the first things I found on the internet when searching   “Morruzze” (from MBendi information services)
 
Isn’t it impressive? In each category, it lists absolutely Nothing! Actually, as you know if you’ve been looking in this blog, there’s much here. Lots of life, including the human social variety. Local notices are always changing on the large notice board behind the well  in the Piazza Cesare Paparini. And, there’s even a fine little guest house to rent adjoining the Palazzo Paparini (click to see). You can see website photos of this charming place, but below I want to show a rather bare but, I think, striking photo of an unrenovated part of the palace we routinely walk by.



We arrived here in Morruzze when everything was some shade of green. The different wild and cultivated flowers added their particular shapes and colors throughout the spring. 



As the summer approached, we saw the green casting more yellow and tan as fields were mowed and hay was baled.

 
And now, full summer, the girasole/sunflowers are out in full regalia performing sun salutions. It remains a simple joy to me to see whole fields of girasole turn their faces to the sun, wherever it may be, bowing slightly at the end of day. Despite my factually-competent brain, it’s easy when observing girasole to imagine a plant-consciousness that adores the sun.



Of course, I will have to paint some variation of this!
What continues to impress me most here is the quality of the region, itself. The clean air, the sounds, the fragrance, the colors, the living and growing things all around, the pace, the openness, the welcomeness, the variety of small and great things to walk amongst. Not much, ... but nearly everything.

I want to tell you more, about nearby Todi and Orvieto, about many the other local sights we’ve seen, and to share with you more wonders. But we leave soon for Verona, city of Romeo and Juliet. We have tickets for an open-air  performance of Aida at their beautifully intact Coliseum. From there, we drive to Paris, and from there…. ah, we take the metal bird home.
There is so much more. But can I catch up with myself? Will these postings feel different when I write them from afar, instead of amidst these sights? Will I write at all of here once no longer here?

For now, perhaps goodbye, perhaps arrivederci
Thank you.





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Long Life: Communanza

Oh, forgetfulness. But  I mustn''t forget quickly to leave you with something that impressed me from Communanza, the city in Le Marche in which we did our marketing. Nothing gorgeous here to catch your eye; just a convenient place nearby to shop. But  look at the sign above the main market street (enlarge it if you can).
JS Photo



It translates to: Communanza, Land of Longevity: the Secrets of  Living More than 100 Years!
It seems Le Marche is not only a region of living well; it's a region of living long. The sign celebrates this region being one noted for the longevity of its inhabitants. Indeed, people there told me of their neighbors who are over 100, and have birh certificates to prove it. 

Is it quality or quantity that most interests you? Well, asking a resident we befriended, he told us that his neighbor, a woman now having reached 100, was complaining to him as she continued gardening at full pace, that she no longer felt spry enough to cut the firewood herself!

So what's the secret? I've got quite some years to travel before I know. But I'm looking forward to it!


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Ascoli Piceno and Jesi: Two Cities in Le Marche

There are at least two more cities I wanted to mention worth visiting in Le Marche. If Firenze/Florence wows you with its abundance of everything, it’s worth remembering the many pleasures to be found in the lesser-know and less- visited places of Italy. One can actually discover sights on one’s own, and you needed wait your turn within throngs of visitors

Ascoli Piceno

Ascoli Piceno is located towards the south of Le Marche. It has a pleasing Renaissance piazza, including a covered arcade along one side. 

all photos by JS

There’s much to appreciate about Ascoli, past and present. It was founded by an ancient Italic population called the Piceni, (thus its name, Ascoli Piceno ) several centuries before Rome was founded. 

The Piazza del Popolo (People’s Square), is its traffic-free, beautifully designed main square. It is one of the most elegant provincial squares in Italy with its travertine pavement and generous spaces.

The other main square, Piazza Arringo, is flanked by the Duomo/cathedral and the town hall, which now houses Ascoli’s historic art gallery, the Pinacoteca Civica. The Pinacoteca contains a carpet-bag collection of elaborate furnishings and decorative art ...  plus some really stand-out art , like that of Carlo Crivelli , the  Renaissance master painter associated with this region. 

Carlo Crivelli

detail, Mary Magdalene, Carlo Crivelli, 1480



I like Crivelli's paintings, though they fell out of favour once later Renaissance masters of realism took hold of the art scene. Crivelli's paintings seem fit better to Late Gothic style than Renaissance naturalism. Although he mastered perspective and fully rendered modelling of the human form, Crivelli seemed to prefer the sinuous lines, flat and filled space, highly decorative elements, and love of small details characteristic of an earlier epoch. He also continued to paint only in tempera, even after the fluidity of oil paints had come into use.  

The Fountains

Not sure why, but I gravitate towards the fountains in an old city.





Below are two close-up photos of the fountain in this piazza. Inventive and lively grace.




 

















   











Food in Ascoli

There is one absolutely famous dish from Ascoli. This cit is where it’s done best. It’s called Olive all'ascolana, or olives done in the Ascoli way.  Regional  olives are stuffed with pork, beef, chicken livers, tomato paste and Parmesan cheese and then fried! 

I have given recipes in these columns before. But, come on! You are not going to make them at home, are you?  Preparing the mix and filling all those little olive holes? You’ll just have to come here and get take-away. I tell you, for sure, one can get hooked on these tasty little morsels.

An Unusual Discovery

Here's an example of what happens when you're not in a tourist crowd in a place famed for all those pre-programmed things you  must see. You wander around and tend to find things of interest. For example, I found this window in a church whose name and exact location I no longer recall. (That’s a plug for putting captions on your photos at the time you take them.) I’m pretty sure it was the church of Saint FrancesAscoli Piceno.

Most of the stained glass windows in this church portrayed the expectable variety of religious themes. But this once was modern, and I did a double-take to make certain that I was correct in what I thought I saw.

The  central panel shows a depiction of Nazi brutality and concentration-camp victims. Especially when 
 placed here, among themes in the "house of god", this depiction,, makes a marked  impact.

I can only speculate  that the religious leaders and congregation here thought it significant to include this piece of relatively recent and very painful human history with more traditional evocative scenes relating the life and suffering of Jesus. To remind us of human cruelty and misguided ambitions? How remarkable, I thought, to include this window in a house of worship: to remind oneself  of the sins we  are capable of committing upon each other. In the name of what? 

Make the lie big, make it simple, keep saying it, and eventually they will believe it.
~Adolph Hitler

There are antidotes to such enduring and often hateful cynicism. There have always been and, I trust, will be, people who value decency and mindfully search for truth, knowing it may not bet easily come by. But also knowing it cannot be indoctrinated or mass-influenced, and that it may  require both courage and exploration of differing viewpoints. 

Jesi

As for the courage to search for and uphold truth, I was surprised by this plaque to Girodano Bruno. in another nearby city. You might recall that Bruno is  the mathmatician and astronomer burned at the stake in 1600 after being found guilty of heresy by the Inquisition. His crime?  Bruno's scientific findings led him to propose the sun is a star, the earth being only one of its orbiters in a vast universe.  This idea didn't fit the hierarchical church values of the time.

This  plaque rests in the ancient stones walls of of the main piazza at Jesi.  Of course, it took several centuries before Bruno was so honourably commemorated as a "martyr of free thought".

Jesi  is very industrialized and not so lovely in its extensive lower city. But  its upper walled, historic medieval city provides yet another wonderful blast of the past in Italy.An impressive piazza is seen here, too, and some lovely works of art by Lorenzo Lotto are in its Pinacoteca. 


One of the things I love about Italy is how the old is cherished and maintains its use and value, as in this contemporary habitation of apartments (below), replete with hanging plants, in the medieval walls surrounding the historic city centre of Jesi.

More Creative Life News

You can read and see more about Italy plus other travels and creative adventures by this itinerant artist at Creative Life News here.








Tuesday, July 5, 2011

Marketing Art

 

Hi. I’ve just done something bold and need feedback. I'm posting this here hoping to get responses.
 I’ve joined a professional firm, Imagekind that makes archival museum-quality prints (on paper or canvas). They are very affordable. I could not offer the same deal. Plus they show you the art as it will look on ready-to-hang canvas or with different colored mats and frames the viewer selects.  Click  on the Strayer link below or click here to see what I have there.
www.imagekind.com
Buy strayer posters, strayer prints, canvas and framed strayer art. Discover new art from thousands of unique & independent artists at Imagekind.com.
But....

HERE'S THE RUB: I do want my art to reach a wide audience and to be affordable,  BUT.. I also want those who get originals from me to know their unique works will not be "merchandized” (unless they say so). Will this policy work fairly for everyone?
I have received one response so far that speaks to my question and, given it was on a public forum,  I'll excerpt it below. It's from a savvy friend of mine and seems well-considered to me. There may be other views I should notice as well. For example, I'm not sure what gallery owners will think of this. Please let me know what you think.


Good idea getting your beautiful work to more people. Are these not two separate markets - those who buy replicas and those who buy original works? Not sure why selling replicas would hurt the value of the original piece and would this not increase exposure (and value) of the artist's work? But, I'm not a marketing expert.
 


post signature To COMMENT from the homepage: Click on Title of Post to get to its own page. Comment box appears below post. Subscribe for updates on art, travels, and adventures in creative life. You can also find me at my Facebook Page and Website for my art and news of upcoming shows/sales.

Monday, July 4, 2011

Life With Animals in Rural Italy

Life with Animals

Living in rural Umbria for some months has been a great experience. So much art and cultural history, as well as all the natural scenic wonder.  But I want to give the animals here some credit too. I rarely write about animals, but they've been important companions to my life here, especially on my walks along these hilly country roads. 

The best things in life aren't things.--Art Buchwald

I'm a city girl and claim no affinity with Jane of Tarzan fame. Furthermore, this is no jungle. But, living in this fairly secluded rural area has brought me much closer to animals on a daily basis. Nothing special, you may think. But it has been special for me. The birds and animals have become part of what makes this place come alive for me. 

Birds and Fowl  

First off, there have been the songbirds in the morning that brighten the day. I hardly see them, but love hearing them daily. If I don't hear them, I know something is up. like an upcoming storm or too many hunters in the area. There stillness tells me so.

photos of chaffinch bird and nearby rooster
chaffinch and rooster

There are the chickens, geese, and even turkeys that inhabit the several fenced yards along my country walks. Some creatures show up walking freely about, just as I am. The two chickens below were taking their walk on the grassy verge across from mine. On my way home, this rather fancy pheasant stopped for a snapshot in front of our patio. 

partridge  in front of patio in Umbria
pheasant in front of our patior-

Four-Legged Friends and Foe



















A short distance from the house are meadows abundant with grazing sheep. Spring is a prime time for viewing the new lambs. A lovely pastoral sight that is  also functional, given this region's renowned lamb dishes. Other meadows are grounds for grazing goat, but they tend to rebuff my human approach. 

 Then, there are the geckos that live  in and on the patio rocks, darting fast as a flicker across them. Sometimes they venture inside the house. I once found one gaily swimming in the kitchen sink and,  quickly as I could,  moved it outside where it scurried off. Sitting on the patio, I enjoy watching them as they dart in and out among the the pots of cacti and geranium. Some are a very bright, iridescent lime-green colour. Others are striped with dark diamond shapes. Not only are they very quick, they also seem shy. But, if I sit quietly at the patio table,  I can see them stretching  their necks and looking about, seemingly unaware of this big hulk of shade who's blinking her eyes while she looks at them curiously.

There are many dogs, of course. Everyone has at least one. They used to bark as I passed, but now most of them know me. Mostly I love the dogs here. They’re so…. Italian, with names like Cuciolo or Pipo. If I don't know their real name, I give them one. I call the little orange scruffy one up the road Scruffy, and his more silent companion is Harpo. Then there’s the beautiful white dog further on, whom I call Lily (though she’s male). In contrast to these family dogs, the hunting dogs here  are another story. I don’t see them as often as I hear them yowling during hunting season. They don’t just bark; they yelp and moan and bay, and I imagine them caged when not on the hunt, hungry, and possibly mistreated. The law in rural areas, such as this, is that hunters have right-of-way during the season, so they, their dogs, and rifles are permitted on private"land. A whole mess of spent cartridges can be found after hunting season.

There are many cats as well as dogs. Most here are well-tended, unlike the hundreds of  sorry-looking cats I saw hanging out in Rome’s Coliseum. Cats are particularly useful for homes here, given their rodent-hunting skills., and who does't like watching them move always in  their own graceful stride? 


In it's own category of special animal is the porcupine. Have you ever seen a live one? One night, on the path beside our house, I saw two porcupines in full regalia! They were right in the headlights of our car as we very slowly drove down our unlit, rocky path. I wish I'd had a camera with me. They were terrific-looking animals, much larger than a skunk, and had their quills splayed out.  The two porcupines dashed quickly out of sight, making what sounded to me like hi-pitched rasping-chirping  sounds. I'm glad to have seen them and to have done them no harm. I found some of their quills on the road next day. They are horizontally striped ivory and brown, and I'm going to keep them. 

porcupine quills
 I've learned is that the porcupine (porcospino in Italian) doesn't shoot its quills, contrary to folklore. Having few natural enemies, other than humans, it flees rather than fights. But it can bite, claw and even charge backwards, using its quills simultaneously as weapon and shield. Considered solitary nocturnal creatures, adults live in pairs with their litter. They're protected by Italian law and don't have to pay taxes.


One of the most famous and dangerous animals of this region is the wild boar, or cinghiale. They live  in the woods all around us. You can hear (or imagine you hear) them tearing up the ground at night. During the day, you can certainly see evidence of their digging up roots and rocks. Big overturned rocks are all along the path from our house all the way  up to town: signs of their up-rooting activities. You can see the damage they wreak on land, trees;, and even the prominent stone fences of this region. They do hunt down truffles, though, and they're also a source of good sausages in this region. The photo at left (taken before the earthquake) is a boar-replica from Norcia, a town famous for its sausages. To the right is a photo of an actual cinghiale.  

,


Introducing Balthazar

Several times, I heard a donkey braying as I walked down paths from the piazza in our village  of Morruzze towards the next village of Acqualoreto. I'd never seen him until one day when it began to rain  as I trekked back home alone. I felt rather miserable and the path seemed much too long. I heard his braying get louder and louder as I made my way up it. . After turning at a bend in the road, there he was, sticking his neck over the wire fence lining the trees and and bobbing his head up and down as if saying, hi there, you made it!
my Balthazar

I walked over, never having made the acquaintance of a donkey before (though I have met some asses). Seeing a stack of hay under wraps on my side of the wooden fence, I grabbed a handful and held it up to him. He lipped it up from my hand very gently, given those big donkey-teeth. It was raining more strongly now. So, I  told him I couldn’t hang around to feed him and had to walk up uphill if he wanted to keep me company. 

Don’t laugh! He did, and he followed me all along the path until I reached near the piazza, where  our roads diverged. He brayed as we lost sight of each other, and I knew he was a friend. I named him Balthasar, after a donkey made famous by Bresson in French cinema (Au Hasard Balthazar). Like his namesake, I think my Balthazar must have a good deal of empathy.

Snakes and Scorpions

Among the few other animals here that can be dangerous to humans (including some of the two-legged hunters!) are some snakes, including vipers and asps that are hard to see in the tall grasses. My neighbour told me of once having been bitten by a viper, her leg swelling with great pain. Her advice was to wear thick rubber boots, as she does in the tall grass.  Otherwise, I think the snakes want to avoid us, too. We don’t have much to talk about.


 I’ve also seen  scorpions here. and in the house, unfortunately. These tended to be small, (less than two inches long). But who wants to test out just how much harm a small one can do? So I never put my slippers on without shaking them out first, just in case. Like other insects, they are rather fascinating to look at: their shape is so unusual, making me think of them as more aquatic than terrestrial.


Food for Thought: Truffles


Umbria is rich in truffles, as its many cinghiali know. Locals debate whether white or black truffles are better. Aren’t these debaters fortunate to even choose? If you find yourself in possession of a truffle, bow down to it, then store it in rice for a few days, as the Italians do (not the 'bowing down' part). Its aroma will permeate the rice, giving you double value. They say to cook black truffles, but eat white truffles raw (exquisite shaved thinly over pasta).There are truffle festivals in Italy, mostly in the fall (truffle season). Click here to read more.

More Creative Life News


You can read and see more about Italy at Creative Life News here. plus other travels and creative adventures by this itinerant artist at Creative Life News here
 @ janetstrayer.com















Sunday, July 3, 2011

FIRENZE/FLORENCE, Italy

JS photo
JS Photo
Flourishing city on the Arno river, capital of Tuscany, center of the Italian Renaissance for two centuries, there is little new I want to write about Firenze (Florence). The tourist books have had a long time to cover all there is to see in this long-admired city. One can most agreeably saunter through the city’s many, many artistic treasures in paintings and sculpture, museums, architecture, food, and literary history.

The view at left is of Florence along the Arno, taken from the Ponte Vecchio, The view below is of the Piazza della Signoria, possibly the most famous of the many famous squares in Florence.



You can see standing beside little you a huge statue (a replica) of Michelangelo's startling David. The original stands in the Galleria dell' Academia, along with other sculptures by our local hero, as well as paintings and sculptures from the 13th-16th centuries. It also contains an interesting collection of musical instruments, begun by the Medici family

But it's nice that the Piazza della Signoria, at the heart of the historic center, offers a free open-air sculpture exhibit... and some great pigeon-on-statue shots (I'll spare you that).  Also shown is the medieval Palazzo Vecchio --   Florence's town hall and  political center since the middle ages.

Of course you want to see (many times) the Galleria degli Uffizi, a museum housing what may be the world's finest collection of Italian Renaissance art (the Vatican Museum does pretty well, too). But it's a crowded place, especially as tourist season hits high gear. So, I avoided it this time round.

Because this blog is not a Firenze tour-guide  (click here for one) but only an idiosyncratic report of things that strike me while engaged in the art of living well in this sojourn in Italy, I will mention only a little about this eternal city that keeps calling its visitors to return.

I wanted to spend my time in Italy on the less-travelled paths, even just wanting to stay at home and experience what “home” felt like in Italy. Yet, as in previous visits to Italy, I had to visit Firenze again.

The drive into the city is heralded by flowers lining the center of the boulevard that creeps with traffic beside the Arno. The compensation for the traffic snarl is the smell of jacaranda all around you. Then, as you enter the historic city, it is always a surprise. No matter how recognizable the sites have become, the magnificent Duomo and the intricate architectural plans of palaces and piazzas make you part of something splendid to behold. And the same stones that you feel underneath your humbly hurting feet were tread by so many Florentine giants.

Marking a major literary and linguistic turning-point, the Florentine Dante Alighieri walked these streets.  Among the events in his politically active and sadly exiled life, he managed to be the first to write in (thus partly creating) vernacular Italian. The exalted Divine Comedy gave rise to more truly ‘vulgar’ literary works by another Florentine coming not long afterward: Boccaccio and his Decameron. The Florentine literary influence spread even to  Chaucer, whose vernacular English Canterbury Tales were certainly influenced by Boccaccio, whom he also likely met on a trip to Italy. Even today, Firenze holds a place of honor in the Italian language. Italians I’ve asked in different regions tell me that their language is best spoken here, in Tuscany.
Dante Alighieri, attributed to Giotto
Even across the Atlantic, the culturally enlightened U.S. President, Thomas Jefferson (living at a time when culture was not anathema to democracy) was influenced by Italian humanism in his scholarly interests in arts and sciences, his skills as an architect (literal and metaphoric as nation-builder), and even his love of music. Jefferson wrote in a 1778 letter to the humanist Florentine scholar, Giovanni Fabbroni, about his love of Italian music: If there is a gratification which I envy any people in this world, it is to your country its music. This is the favorite passion of my soul, and fortune has cast my lot in a country where it is in a state of deplorable barbarism.

We went to see only one thing the first day we visited Firenze. It remains a personal favorite: San Marco, the convent which intimately houses the fresoes of Fra Angelico. (Mendicant orders like the Dominicans and Franciscans use the word convent for both men's and women's establishments.) 
Among all the splendid art in Florence and the emphatic paintings and sculpture and architecture of Michelangelo and tributes to his influence, there rests this relatively small Dominican convent with its cloisters (above).  In it, on the second floor among the small cells of its former monks, are the quietly serene, even humble, frescoes of  Fra Angelico. Their gentle colors and modeling, lyrical contours and somewhat shy expression are just so quietly beautiful. As you walk up the stairway to the second floor (first floor above the ground),  you are greeted  at the landing by a ‘just-so’ masterpiece of the Annunciation. You can see the cloister of San Marco in it, can't you? In contrast to Michelangelo's work, I would not call  grand; but it is glorious.

Then, peeking into the monastic cells, their wooden doors open but the entrance barred by rope, you see the frescoes on the walls, many done by Fra Angelico. This strikes me as so much more impressive than frescoes on museum walls, no matter how important they are and even if I feel thankful to see them at all. But here, here is the context (handed down to us) that gave immediate meaning to the work. I wonder if the individual brothers got to request a particular theme for their meditations and wonder how the paintings were assigned to the different cells.
Today’s Thought
Only through art can we emerge from ourselves and know what another person sees.
--Marcel Proust
I don't want to quarrel with Proust, but I’d qualify the “only through” bit. Still, I very much agree that art is a transporter, a conduit to many different realities. And I fear when art and art appreciation are cut from the "essentials" in public school programs.

Lest the quiet dignity of many of Fra Angelico’s works leaves you wishing for more drama, there’s always a visit to the corner cell at San Marco, where you can feel the lingering presence of Savonarola, who was a toddler when Fra Angelio died. Savonarola's cloak remains, and if  one has any imagination at all, it is chilling. Savonarola was a friar and Prior at San Marco for over a decade. For a brief time, he even became the notorious ruler of Florence during the plague, and met his end in 1498 by execution via hanging and then burning in the Piazza della Signora.

Walking in Florence, with masterpieces everywhere around you, it's not surprising to find street artists kneeling and finishing their Michelangelo on the pavement. Art lives everywhere.
JS Photo
Today’s Food for Thought
Florentine steak - Bistecca a la Fiorentina 
This is not for the tender-hearted (in several senses). You’ve just got to love red meat. I've excerpted this recipe from this site you can click on.
The meat must be from a young beef, at least two finger-widths high of choice sirloin and include the bone (e.g., a porterhouse steak). As Prezzolini writes in his Life of Machiavelli, "cut from the young steer, with the rib attached, you look like a slab of brocatello marable, red and veined with white". To cook the steak, opinions vary. Some recommend rubbing it with oil, salt and pepper first. Some consider this blasphemy and place it, as is, on the grill over a glowing charcoal fire (there are also different thoughts on the correct kind of wood). It should be turned only once and the grill must leave its mark on both sides. When it is nearly done, season with salt and pepper (never beforehand, since it would dry the meat) and, as soon as you see that the salt has stiffened, serve with a pat of fresh butter on top. 30 min. After a suitable time for digestion, go for a 10 mile walk.
Today's Painting
Susannah, painting by Janet Strayer
I slide easily from the religious to the profane. So, after a stop for gelato, we went on to the Ponte Vecchio to look for some earrings.
JS photo
This old bridge is always festive. But it’s always been part of a working city, too. Florentine wools. Florentine gold. Florentine leather and paper. I got a pair of small earrings on this crowded sunny day. Also some beautiful presents. Nearby, off the bridge and thinking of home in Canada, I got a pair of gloves.


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