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Sunday, July 31, 2011

Who Am I? and Why Me?

I'm back in Vancouver, a not too shabby spot on the planet to land after a long time in Europe living, eating, loving, and painting ... and blogging about it. We drove from Morruzze to Paris to spend a few days exploring and saying a fond goodbye to Europe, staying in a charming little hotel in the Marais (home to Rabelais).
Today's Thought
Many a trip continues long after the movement in time and space have ceased.
-- John Steinbeck

My re-entry to North America was a very bumpy one, though. I had  had my passport, wallet, cards, etc. stolen in Paris, one of my favorite cities, leaving a cloud hanging over me. I'll spare you the frustrating and exhausting details. But I arrived in Vancouver feeling like a nasty pointed finger was coming down from a dark cloud in the sky and poking right at me.

What did I do wrong? Did I have too much fun in Europe? Did I not mix in sufficient guilt with my dollups of pleasure? Was there some capricious universal principle I'd offended that needed appeasement?  Did I need to curb my enthusiasm?
Another Thought
Travel penetrates your consciousness but not in a rational way.
--Milton Glaser

OK. I know bad things happen to good people. And I'm not even that good. But a whole string of bad things happening? Even after arriving home and the myriad of things you have to do just to re-connect the phone and get the house running, the string of mishaps continued. There were appliances that broke, a computer glitch, things found in the suitcase that had spilled, things not found in the suitcase that should have been there, and more things misplaced or lost in the confusion that was me.

Each day brought a new lament.  I couldn't shake the feeling that it was not only jet-lag I had to endure. but a cloud of misfortune hovering around me. If Ray Bradbury's right about much of the fun of travelling being in the esthetic of lostness, then I should be having a ball! Not so. Lost is how I feel... more now than when travelling. This lost-ness is too concrete and blunt, too externally manufactured (though of course my mindlessness contributed to it), too much of a confederacy of nuisances boiling over into problems to give me anything but a  headache!
Yet Another Possibility
I love to travel but hate to arrive.
--Albert Einstein

Who knows? So, I've been laying low for a while, getting my bearings, cautiously doing what I can each day to put things in order. Trying not to be overwhelmed by the list of things I "have to" do, from getting services reconnected to searching for an affordable studio space in the city.

I have a mid August deadline for a big group juried art exhibit  I'm part of. Hah! it's called Painting On the Edge!  That's where I am right now: on the edge. I've learned (and travelling is part of it)  that artful living involves living earnestly but lightly, intensely but without a heavy footprint. I need to find that way of living here at home....and soon.
Today's Final Thought
He who would travel happily must travel light.
--Antoine de Saint Exupéry

I'm still, trying to collect the bits of light together that make me recognize my own true life while I'm also in the process of reconstructing my official identity here. The sun, at least, is shining graciously. I hear neighbors across the lane having a BBQ. And today, I actually found my long-lost camera!

Tommorrow I venture forth to see some of the friends I've missed.  It's a garden-party. I will try to curb my enthusiasm, just in case.

Once my computer comes back from the repair shop, I'll plan to insert some homecoming artwork for this blog.

Write me, insert comments please. I need some anchor lines.


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Saturday, July 9, 2011

Morruzze: a little Italian village in which nothing happens

all photos by JS
Last night was a beautiful night. We spent it sitting on the stone porch looking out at the sky, its half-moon and stars steadily brightening as the hour approached 10 pm. It was cool at this hour, but the stones still held warmth from the full day’s sunshine. 

The geckos had retired. We’d just finished some deliciously cool and sweet watermelon, its taste mixing with the pleasures of the darkening night with its brightening, star-lit sky. A distant owl was hooting, and the lovely daily birdsong had long been put to rest.  

one of our gecko families on the porch
And then, like sprinkles on ice-cream, fireflies (lucciole) came out, flickering illuminated bits of sparkle upon the night. 

It was peaceful, fragrant, and lovely.  Time out and being in. How few are such moments in most of our life-management styles of living. 


Today’s Thought
Many a night I saw the Pleiads, rising thro' the mellow shade
Glitter like a swarm of fireflies tangled in a silver braid.

-- Alfred Lord Tennyson

My fancies are fireflies
Specks of living light twinkling in the dark.

-- Rabindranath Tagore



The stone country house, to which we returned after an absence of six years, has been our home for the past several months in Italy. You've seen pictures of it in my previous posts. It's like so many in this region, which mandates that homes be kept to a certain,very agreeable, style. It's really beautiful to see the different harmonies of simple shapes and colors in the stonework. 
Soon we’ll be leaving this house we've just lived in once again, returning to Canada after a remarkable nine months in Europe. 

Morruzze in early April

Why live in this tiny village commune of Morruzze in Umbria? 

I’ve written and shown pictures of this place in previous posts. So I’ll now show you one of the first things I found on the internet when searching   “Morruzze” (from MBendi information services)
 
Isn’t it impressive? In each category, it lists absolutely Nothing! Actually, as you know if you’ve been looking in this blog, there’s much here. Lots of life, including the human social variety. Local notices are always changing on the large notice board behind the well  in the Piazza Cesare Paparini. And, there’s even a fine little guest house to rent adjoining the Palazzo Paparini (click to see). You can see website photos of this charming place, but below I want to show a rather bare but, I think, striking photo of an unrenovated part of the palace we routinely walk by.



We arrived here in Morruzze when everything was some shade of green. The different wild and cultivated flowers added their particular shapes and colors throughout the spring. 



As the summer approached, we saw the green casting more yellow and tan as fields were mowed and hay was baled.

 
And now, full summer, the girasole/sunflowers are out in full regalia performing sun salutions. It remains a simple joy to me to see whole fields of girasole turn their faces to the sun, wherever it may be, bowing slightly at the end of day. Despite my factually-competent brain, it’s easy when observing girasole to imagine a plant-consciousness that adores the sun.



Of course, I will have to paint some variation of this!
What continues to impress me most here is the quality of the region, itself. The clean air, the sounds, the fragrance, the colors, the living and growing things all around, the pace, the openness, the welcomeness, the variety of small and great things to walk amongst. Not much, ... but nearly everything.

I want to tell you more, about nearby Todi and Orvieto, about many the other local sights we’ve seen, and to share with you more wonders. But we leave soon for Verona, city of Romeo and Juliet. We have tickets for an open-air  performance of Aida at their beautifully intact Coliseum. From there, we drive to Paris, and from there…. ah, we take the metal bird home.
There is so much more. But can I catch up with myself? Will these postings feel different when I write them from afar, instead of amidst these sights? Will I write at all of here once no longer here?

For now, perhaps goodbye, perhaps arrivederci
Thank you.





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Long Life: Communanza

Oh, forgetfulness. But  I mustn''t forget quickly to leave you with something that impressed me from Communanza, the city in Le Marche in which we did our marketing. Nothing gorgeous here to catch your eye; just a convenient place nearby to shop. But  look at the sign above the main market street (enlarge it if you can).
JS Photo



It translates to: Communanza, Land of Longevity: the Secrets of  Living More than 100 Years!
It seems Le Marche is not only a region of living well; it's a region of living long. The sign celebrates this region being one noted for the longevity of its inhabitants. Indeed, people there told me of their neighbors who are over 100, and have birh certificates to prove it. 

Is it quality or quantity that most interests you? Well, asking a resident we befriended, he told us that his neighbor, a woman now having reached 100, was complaining to him as she continued gardening at full pace, that she no longer felt spry enough to cut the firewood herself!

So what's the secret? I've got quite some years to travel before I know. But I'm looking forward to it!


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Ascoli Piceno and Jesi: Two Cities in Le Marche

There are at least two more cities I wanted to mention worth visiting in Le Marche. If Firenze/Florence wows you with its abundance of everything, it’s worth remembering the many pleasures to be found in the lesser-know and less- visited places of Italy. One can actually discover sights on one’s own, and you needed wait your turn within throngs of visitors

Ascoli Piceno

Ascoli Piceno is located towards the south of Le Marche. It has a pleasing Renaissance piazza, including a covered arcade along one side. 

all photos by JS

There’s much to appreciate about Ascoli, past and present. It was founded by an ancient Italic population called the Piceni, (thus its name, Ascoli Piceno ) several centuries before Rome was founded. 

The Piazza del Popolo (People’s Square), is its traffic-free, beautifully designed main square. It is one of the most elegant provincial squares in Italy with its travertine pavement and generous spaces.

The other main square, Piazza Arringo, is flanked by the Duomo/cathedral and the town hall, which now houses Ascoli’s historic art gallery, the Pinacoteca Civica. The Pinacoteca contains a carpet-bag collection of elaborate furnishings and decorative art ...  plus some really stand-out art , like that of Carlo Crivelli , the  Renaissance master painter associated with this region. 

Carlo Crivelli

detail, Mary Magdalene, Carlo Crivelli, 1480



I like Crivelli's paintings, though they fell out of favour once later Renaissance masters of realism took hold of the art scene. Crivelli's paintings seem fit better to Late Gothic style than Renaissance naturalism. Although he mastered perspective and fully rendered modelling of the human form, Crivelli seemed to prefer the sinuous lines, flat and filled space, highly decorative elements, and love of small details characteristic of an earlier epoch. He also continued to paint only in tempera, even after the fluidity of oil paints had come into use.  

The Fountains

Not sure why, but I gravitate towards the fountains in an old city.





Below are two close-up photos of the fountain in this piazza. Inventive and lively grace.




 

















   











Food in Ascoli

There is one absolutely famous dish from Ascoli. This cit is where it’s done best. It’s called Olive all'ascolana, or olives done in the Ascoli way.  Regional  olives are stuffed with pork, beef, chicken livers, tomato paste and Parmesan cheese and then fried! 

I have given recipes in these columns before. But, come on! You are not going to make them at home, are you?  Preparing the mix and filling all those little olive holes? You’ll just have to come here and get take-away. I tell you, for sure, one can get hooked on these tasty little morsels.

An Unusual Discovery

Here's an example of what happens when you're not in a tourist crowd in a place famed for all those pre-programmed things you  must see. You wander around and tend to find things of interest. For example, I found this window in a church whose name and exact location I no longer recall. (That’s a plug for putting captions on your photos at the time you take them.) I’m pretty sure it was the church of Saint FrancesAscoli Piceno.

Most of the stained glass windows in this church portrayed the expectable variety of religious themes. But this once was modern, and I did a double-take to make certain that I was correct in what I thought I saw.

The  central panel shows a depiction of Nazi brutality and concentration-camp victims. Especially when 
 placed here, among themes in the "house of god", this depiction,, makes a marked  impact.

I can only speculate  that the religious leaders and congregation here thought it significant to include this piece of relatively recent and very painful human history with more traditional evocative scenes relating the life and suffering of Jesus. To remind us of human cruelty and misguided ambitions? How remarkable, I thought, to include this window in a house of worship: to remind oneself  of the sins we  are capable of committing upon each other. In the name of what? 

Make the lie big, make it simple, keep saying it, and eventually they will believe it.
~Adolph Hitler

There are antidotes to such enduring and often hateful cynicism. There have always been and, I trust, will be, people who value decency and mindfully search for truth, knowing it may not bet easily come by. But also knowing it cannot be indoctrinated or mass-influenced, and that it may  require both courage and exploration of differing viewpoints. 

Jesi

As for the courage to search for and uphold truth, I was surprised by this plaque to Girodano Bruno. in another nearby city. You might recall that Bruno is  the mathmatician and astronomer burned at the stake in 1600 after being found guilty of heresy by the Inquisition. His crime?  Bruno's scientific findings led him to propose the sun is a star, the earth being only one of its orbiters in a vast universe.  This idea didn't fit the hierarchical church values of the time.

This  plaque rests in the ancient stones walls of of the main piazza at Jesi.  Of course, it took several centuries before Bruno was so honourably commemorated as a "martyr of free thought".

Jesi  is very industrialized and not so lovely in its extensive lower city. But  its upper walled, historic medieval city provides yet another wonderful blast of the past in Italy.An impressive piazza is seen here, too, and some lovely works of art by Lorenzo Lotto are in its Pinacoteca. 


One of the things I love about Italy is how the old is cherished and maintains its use and value, as in this contemporary habitation of apartments (below), replete with hanging plants, in the medieval walls surrounding the historic city centre of Jesi.

More Creative Life News

You can read and see more about Italy plus other travels and creative adventures by this itinerant artist at Creative Life News here.








Tuesday, July 5, 2011

Marketing Art

 

Hi. I’ve just done something bold and need feedback. I'm posting this here hoping to get responses.
 I’ve joined a professional firm, Imagekind that makes archival museum-quality prints (on paper or canvas). They are very affordable. I could not offer the same deal. Plus they show you the art as it will look on ready-to-hang canvas or with different colored mats and frames the viewer selects.  Click  on the Strayer link below or click here to see what I have there.
www.imagekind.com
Buy strayer posters, strayer prints, canvas and framed strayer art. Discover new art from thousands of unique & independent artists at Imagekind.com.
But....

HERE'S THE RUB: I do want my art to reach a wide audience and to be affordable,  BUT.. I also want those who get originals from me to know their unique works will not be "merchandized” (unless they say so). Will this policy work fairly for everyone?
I have received one response so far that speaks to my question and, given it was on a public forum,  I'll excerpt it below. It's from a savvy friend of mine and seems well-considered to me. There may be other views I should notice as well. For example, I'm not sure what gallery owners will think of this. Please let me know what you think.


Good idea getting your beautiful work to more people. Are these not two separate markets - those who buy replicas and those who buy original works? Not sure why selling replicas would hurt the value of the original piece and would this not increase exposure (and value) of the artist's work? But, I'm not a marketing expert.
 


post signature To COMMENT from the homepage: Click on Title of Post to get to its own page. Comment box appears below post. Subscribe for updates on art, travels, and adventures in creative life. You can also find me at my Facebook Page and Website for my art and news of upcoming shows/sales.

Monday, July 4, 2011

Life With Animals in Rural Italy

Nature and Animal Life in the Neighbourhood 

Living in rural Umbria for some months has been a great experience. So much art and cultural history, as well as all the natural scenic wonder.  But I want to give the animals here some credit too. I rarely write about animals, but they've been important to my life here: companions as I walk along these country roads. 

I'm a city girl and claim no affinity with Jane of Tarzan fame. Furthermore, this is no jungle or zoo. But, living in this fairly secluded rural area has brought me much closer to animals on a daily basis. Nothing special, you may think. But it has been special for me.

The best things in life aren't things.
--Art Buchwald

First off, there have been the songbirds in the morning that brighten the day. I hardly see them, but love hearing them daily. If I don't hear them, I know something is up. like an upcoming storm or too many hunters in the area. There stillness tells me so








There are the chickens and geese and turkeys, too, that inhabit the fenced back yards along my country walks, some even walking freely about, like the two I photographed. And once a  pheasant (stopped for a snapshot)  on our lawn. 



 
 
The birds and animals that live here are an essential part of  what makes this place come alive for me. 

There are many other animals here, of course. I see sheep in the meadow (sounds like the start of a Julie Andrews song), and goats grazing.  But I haven’t made their personal acquaintance. 

 Then, there are the geckos that live on the porch in hot weather, sometimes venturing inside. I found one swimming in the kitchen sink once and helped it outside to dry land. They're quite interesting to watch as they scurry along the rocks and between the pots of cacti and geranium. Some are the brightest iridescent lime-green colour. Others are striped with dark diamonds, like the accents seen in Renaissance-clothing. They are very quick and shy. But if I sit quietly at the patio table I can see them stretching and looking about, seemingly unaware of this big hulk of shade blinking her eyes while she sits smiling at them curiously.

There are many dogs, of course. Everyone has at least one. They used to bark as I passed, but now most of them know me. Mostly I love the dogs here. They’re so…. Italian. They have their own names like Cuciolo or Pipo, but I give some of them  names I think fit t The rusty orange scruffy one up the road is called Scruffy, and his more silent companion is Harpo. Then there’s the beautiful white dog further on, whom I call Lily (even though she’s male).

The hunting dogs are another story. I don’t see them as often  as I hear them yowling. They don’t just bark; they yelp and moan and bay like wolves, acting up fiercely some nights  (I imagine them caged and hungry). 

There are many cats too. Most tend to belong to houses and barns, fortunately. I’m thinking back to all the hundreds of the catch-as-catch-can cats I saw hanging out in Rome’s Coliseum. They were ‘wild’ homeless cats. I’m very choosy about the house cats I like. Just as they are of me. Still, I love to watch cats. Who doesn’t? They are an epitome of animal grace.

Porcupines

One night, on the path beside tour house, I got to see two porcupines in full regalia! They were right in the headlights of our car as we drove down our rocky unlit path. I wish I'd had a camera with me. They were terrific-looking animals with their quills splayed out. Much larger than a skunk, which is the size I’d erroneously thought them to be. The two porcupines dashed quickly out of sight making what sounded to me like rasping-chirping (hi-pitched) sounds. I'm o glad to have seen them and to have done them no harm. I found some of their quills on the road next day. They are horizontally striped ivory and brown, and  are well worth keeping.


What I've learned is that the porcupine (porcospino in Italian) doesn't shoot its quills, contrary to folklore. Having few natural enemies, other than humans, it flees rather than fights. But it can bite or claw or even charge backwards, using its quill armour simultaneously as weapon and shield. Considered solitary nocturnal creatures, adults  live in pairs with their litter. They're protected by Italian law and don't have to pay taxes.

Cinghiale (Wild Boar)

Endemic to this region are the cinghiale. Almost every week, I see signs of them. There are overturned rocks (big ones!) all along the path from our house and up to town: signs of their rooting and up-rooting activities. You can  see the damage they wreak on land, trees;, and even the prominent stone fences of this region. They're also a source of good sausages in this region. 

This photo shows a stuffed cinghiale (actually, a sanglier , since  I took it in a taxodermy museum in France).  That's where I saw living boars, face to face, as well. But they were in domesticated pens! That's when we lived for a time  in  Puyloubier in Provence. The outskirts of this  village housed an old-age home for French Foreign Legionaires. True. They were a diverse bunch of old guys, to be sure, and tended to drink a great deal of rosé (who’d blame them). They also had good dinners (sometimes of wild boar) that we’d occasionally attend

Some Dangerous Animals

Most animals here are not dangerous, with the exception of some snakes, including vipers. I’ve seen some  ( perhaps not vipers) slither so quickly across the rocks, they seem like nothing more than a shadow. I’m used to garden snakes; but folks here tell me to beware of the poisonous vipers and asps. Try to be careful and wear boots when treading in the the tall grasses. Otherwise, I think the snakes  want to avoid us, too. We don’t have much to talk about.

In the category of dangerous animals, I’d also put scorpions…which I have, indeed, seen several times here.  Even in the house, unfortunately. These tended to be small, (less than 2 inches long).  But who wants to test out just how much harm a small one can do? So I never put my slippers on without shaking them out first, just in case. Like other insects, they are rather fascinating to look at: their shape is so unusual, making me think of them as more aquatic than terrestrial.

The Terrain

The terrain is hilly and rocky, with much green vegetation. Many dirt roads criss-cross, offering many trekking routes. 

Acqualoreto and Todi from Morruzze, JS Photo











Off the piazza  in Morruzze (named Cesare Paparini), there’s a dirt road that travels along farmland and grazing area. It leads eventually to the town of Acqualoreto, which comes as a big surprise after walking dirt roads and typically not seeing any people at all.  Occasionally, there have been a couple of lovely horses grazing, who sometimes will come over to see who’s passing, but mostly they stay away from the path.

Introducing Balthazar

my Balthazar

Several times, I heard a donkey braying as I walked down dirt paths towards the next town. I never saw him until one day when I was alone on the path and it began to rain lightly. I felt rather miserable and it seemed too long haul for me. I heard his braying get louder and louder as I was huffing my way back up the path returning toward home. After turning at a bend in the road, I saw him sticking his neck out and bobbing his head up and down as if saying, hi there, you made it!

I walked over, never having made the acquaintance of a burro before (though I can’t say the same for asses). There was a stack of hay under wraps on my side of the wooden fence. I grabbed a handful and gave it to him, which he lipped lightly out of hand. Good thing. I’ve seen those big donkey-teeth in films. He was sweet, but it was drizzling more strongly now, so I told him I couldn’t hang around to feed him more, but mentioned that I’d be walking uphill if he wanted to keep me company. 

Don’t laugh! He did, and he followed me up along the path until near the piazza, where  our roads diverged. He brayed as we lost sight of each other, and I knew he was a friend. I named him Balthasar, after a donkey made famous by Bresson in French cinema (Au Hasard Balthazar). Like his namesake, I think my Balthazar must have a good deal of empathy.

My Imaginary Landscape 

When I think of painting an imaginary landscape of this area, I'd try to visually relate how this place feels to me, more than of how it actually looks. I’d paint something special with birds and green and contrasting lights in it everywhere coming from all shrub-filtered sunlight along the paths I walk. I’d probably need to make several paintings to capture the diverse impressions that mark this place as special.

,Birdland  painting by Janet Strayer

Food for Thought

Cingiali can find truffles, but they uproot almost everything, and I'm not sure you can train one. In any case, Umbria is rich in truffles., I’ve discovered that there’s a debate over which is better: white or black. Each has its adherents. Aren’t these debaters fortunate to be in a position to even choose? If you find yourself in possession of a truffle, bow down to it, then store it in rice for a few days, as the Italians do (not the 'bowing down' part). Its aroma will permeate the rice, giving you double value. Cook black truffles, but eat white truffles raw (shaved thinly over pasta): they are exquisite. There are truffle festivals in Italy, mostly in the fall (truffle season). Click here to read more. 

More Creative Life

You can read and see more updated posts about Italy plus other travels and creative adventures by this itinerant artist at Creative Life News here.