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Monday, May 9, 2011

EVERYTHING is Photogenic in Southern France

To take a scenic photo in southern France, just point and shoot. BELIEVE IT. That's pretty much it. I'm posting some of the  sights I seen and photographed. So many more were just out there. Some of them are from walks in different rural settings in Languedoc; some are taken from the window of a moving car! 

With them, I wonder if taking photos helps (or might even hinder) one's experienced interest and enjoyment in looking and seeing. I know photos help me remember places and sometimes even the feelings associated with the place. But sometimes the search for photo opps hinders the flow of my getting involved with whatever I'm looking at. Certainly, because I don't set up a tripod, nor do I own anything like a pro photographer's toolkit, I know I can't really capture in a photo anything like the fullness of what I see. Still, I've also found that just having the camera hanging around my neck reminds me to really look at things, drawing me to details I'd otherwise miss. I especially like the camera for this. So, I take my camera with me but it's small enough to forget about. 
Today's Thought
I hate cameras.  They are so much more sure than I am about everything.  
John Steinbeck


top of St. Nazare Cathedral; view down towards toward Beziers (all photos by JS)
Here are some "scenic" shots, then. Some are of landmarks or de riguer places of note, others are of vistas that typically merit being called 'scenic'. Others are of little things that perhaps could otherwise have been passed by, like the Green Orange, below.












               
 from Beaux Arts, Beziers



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Sunday, May 8, 2011

The Art of Walking: Hills and Rocks

Today's Thought


One step at a time is good walking
 --Chinese proverb
So is not falling over one's feet.
--Janet Strayer

Now we’ll go up into the hills north of us in France.. Nothing is more than about an hour or two from where we live. France is made up of so many different kinds of geography and micro-climates, there are different worlds to discover in a day. Nothing that currently interests me, that is. There is so much here!

Today's Discovery
Traveling along the way to a place there are other places worth stopping for and exploring. Even if you don't get to where you were going, these 'digressions' along the path are themselves paths worth taking.As the poet Theodore Roethke said, you learn by going where you have to go". And, less poetically, I'd add "...and by going where you have to learn."
  
Priory Grandmont, all photos by JS unless otherwise noted
On the way to our destination today, we stopped to see an austerely beautiful old monastery, no longer inhabited but in remarkably  good shape. Walking around let's you feel a bit of what it must have been like in its year 1011 instead of 2011. It's so COLD inside and those monks had to be barefooted. 





Next is a fine example of a Romanesque church How much of what we build will last as long? How much is built with beauty or reverence for anything in mind? 

I especially like the surprising faces and odd little people carved into the columns and over doors of so many of the medieval buildings, but never too prominently: the "lesser" beings, if you like. And of course there are the marvelous gargoyles of Middle Ages.





















Even more unusual a discovery on today's trip are the Dolmens, rock structures that are more than 5,000 years old. Our ancestors in this area lived in natural caves made by erosion into the rocky hillsides. And they also built Dolmens, which were "houses” or more likely cemeteries to honor their dead that were made by hauling huge rocks together:,each rock much larger than a person.. 


We don’t know for sure how people no stronger than we are managed to lift these huge rocks, but archaeologists think they used tree trunks as levers. These Dolmens are  incredible when you come up on them, even  if you don't know anything about them,  Below is an even bigger set of Dolmens, built partly underground and with a passageway and what might have been multiple chambers. 


Perhaps not as impressive as the Dolmens, but pretty high on the list of natural rock wonders are the dolomite f all through this rocky region. Almost any hike along the Cirque de Moureze will do.
photo by J.E.M.
Another magical place in this general area was Lac du Salagou,  a large human-made lake that fits so well into its surroundings it seems always to have been there. It's a popular resort area, especially in summer. There were a few hardy individuals tenting in the area even in the chilly autumn; Many trails around the lake take you up into the hills, the heights from which one of these photos was taken. On one of the days I walked close to the lakeside, round parts of the lake, I saw a lovely horse and rider on the far bank, their duplicates reflected in the still waters of the lake. 
photo by J.E.M.
Today's Painting
shows a little adventurer saying “Onward” and sitting on a magical creature surrounded by wonderful flowers and birds and butterflies and things still waiting to be discovered
Mixed Media Painting by Janet Strayer janetstrayerart.com




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Saturday, May 7, 2011

The Art of Walking: Beaches


We’re still in Languedoc in this posting and it’s autumn. It’s chilly but there’s a clear, if not bright, sun shining most days. To compare regions we’ve lived in, I’d say Provence is more colorful and gaily bright, more textured than is Languedoc, which seems somewhat sleepier and lay-back. But it has its unique attractions. To give you an idea of how gorgeous this season can be here, look at this house found along a country road.

all photos by JS unless noted
And the people here are friendly and welcoming to strangers like us. Despite the outworn stereotypes, the local folk were tolerant of my less-than-adequate spoken French, the children liked speaking to me in franglais, and our neighbors were considerate in asking about my progress in walking. 


After a recent injury to my spinal column left me bed-bound for a month in Canada with daily physiotherapy, I would be measuring my progress in terms of how well I could walk. (As an aside, isn’t 'invalid' a weird word for physically disabled, especially given the meaning of ‘invalid’?) Not only had I always liked walking, but now, by finding walks I could manage and increasing them as I gained strength, I could  measure my progress toward being upright and on my own two feet again. I was doing more than recuperating my physical health, as I think you can see in these blogs. I was having fun and adventure and discovering and painting again!


Today's Thought
All walking is discovery. On foot we take the time to see things whole. 
(Hal Borland, NYTimes writer on the outdoors)

I was to make great strides, literally, in the first months of our European adventure. It was all with the help of my caring spouse that I could start this adventure at all, and I marvel at his capacities. One of which I share wholeheartedly: the capacity to enjoy and live as well as one can. Not hedonism, but appreciation of life.

Aside from the paths along the vineyards and the nearby Herault River with its Pont Roman (see my first blog entry), this ancient town of St. Thibery is tiny. Its uneven cobblestone streets, as charming as they may be to look at, were hell for me to walk on. Given walking was a main objective for me, one of my favorite things to do became walks along the different beaches that border this stretch of the Mediterranean shoreline.

Ever get tired of walking along the sea? Not me. Anytime, wind, rain, sun (of course), howling tempest (well….yes, if I can manage it). How many beaches? As many as I can get to. And they each have their treasures. Some here are quite civilized, with promenades built beside them and restaurants. Others are open and wide-reaching (more like the Pacific shoreline I know). There are many variations of shoreline we were to discover along the sweep of the Mediterranean that borders France, Spain, and Italy.

So let’s go to the beach! It’s not summertime, so we’re not talking bikinis (as if) or sun-cooked water. We’re talking about the “raw” Mediterranean Sea in autumn. Here’s one small beach town beside the ocean. They were mostly deserted this time of year, having the look of shuttered down resort villages one still finds in out-of-the-way places—still running but at half-throttle, waiting for its crowd of summer residents. The strange looking Plane tree is anything but plain. Doesn’t it look as if there are little people lying in its branches? 

Beyond this tree is the town of Bouzigues, famous for its oysters. Now, Vancouver, B.C. also has wonderful oysters, and we see them attached to rocks near our Gulf Islands home. But here the oysters are in offshore shoals that can be reached by the small boats on shore.                                

                                                                                  
                                                                                
Eating at one of the beach restaurants, I was amazed at the huge and artfully arranged platters of oysters and shellfish that came to tables. I wish I had a photo! I was even more amazed to watch people consume multipledozens of these sexy oysters at a sitting, leaving only glistening shells to mark their extraordinary culinary prowess.














Here’s Serignan, another one of our favorite beaches that seems to go on forever. The sand is soft and golden, and there are wonderful seashells all around the tidewaters. Jim is holding one up for you.






One more look at the Mediterranean in France before we say goodbye for now.











Today's Painting
Ariandne's Compass, painting by Janet Strayer janetstrayerart.com
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Friday, May 6, 2011

Old-Time Circus Comes to Town

In this posting we're back in Languedoc and it's this past autumn. I mentioned that y we'd be moving back and forth in time and place as I post blogs from our year of living in Europe. Don't let your head spin or you'll miss the latest, greatest, smallest circus to come to town! 

It's definitely not Cirque du Soleil. But, come on, how long is it since you've seen a real traveling circus? How long since a real down-home super-duper traveling show was announced by posters and megaphones blaring from a  truck driving back and forth through your town square ...that is, if your town happens to be in  any one of several small villages in southern France?

Here’s the announcement poster that was pasted all over town



Tents were put up in a local green spot just beside the town post-office and a road out of town. It struck me afterward that this was a great location for a quick get-away, should the need arise. But at the time I thought only about the lion that must be living in the circus truck parked just a huff and puff of a walk away from my place. Did the Napoleonic code permit that sort of thing? Didn't matter. Of course I was going to the circus!

We went to the last show, figuring it was the grown-up thing to do, and let the kids go in first. We bought our tickets at the time of the show, stepped inside the blue tent and back in time. We sat in whichever of the empty folding chairs we liked among a throng of about 60 local adults and kids. Not a huge crowd; but not a huge tent either.

The circus had only a few tame animals. There was no lion, imagine!@Xzz! It seemed to be run by one rather handsome family (they resembled each other). So did the animals (resemble each other, I mean). The animal acts were big on ungulates, being headed by a dromedary, a camel, and a llama. 



  

The animals didn't do tricks so much as parade around for us to admire them. I was in the second row and could see the camel smiling. There were horses, too, among them the tiniest pony (I suppose it was) I'd ever seen. Then, after we were whipped into the proper show-froth frenzy, the human acts came on. 

The  boys were the acrobats and doubled as the clowns. The girls did a hoola-hoop act. The juggler looked like the uncle. He kept dropping his props, but we kept rooting for him. What this circus lacked in skill it made up for in lots of good-cheer!

Here’s the juggler before he dropped a few:


And here are the acrobats and a balancing act. Sometimes, white sparkly smoke came up from the ground  underneath the acrobats, adding to the  suspense and mystery.



 and here the girls doing their hoola-hoop act:

You gotta love it!




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Tuesday, May 3, 2011

Wild Asparagus Hunting in Umbria

Eating What Grows Wild

I'm city-bred and nearly all the food I ate came from grocery stores. Until I started travelling,  I'd never eaten food taken directly from the earth with my own hands. These days, we have a pretty large vegetable patch and fruit trees on Saturna Island in Canada.  

But it took living in Italy, and walks with a lovely friend who'd spent a lifetime living in Italy,  to introduce me to a walk and eat on the wild side (thank you Anna Giannini). This elegant lady has an appreciation for the countryside and its treasures. And is much more agile than me when climbing slopes, jumping crevices, or balancing on wooden fences we weren't supposed to be on.. all this to reach just the right spot for the wild treasure.    

I've written about the chestnut groves in Umbria  (getting lost in them), and nearly everyone here has their own olive grove (the oil that is pressed communally is wonderful). Many have their own gardens because they prefer eating what is fresh and in season. They know how to pick the best of each variety of product in outdoor markets, too, going to one stall for a particular lettuce and will march a street length to a different stall for its fennel. Truffle  grow almost like mushrooms n this region of wild boars. Picking out different varieties of  truffles is a well-practiced skill  that defies me, so I make do with  the recommended truffle-oil. 

But the real treasure-hunt is in the wilds near fields and beside the roads. I wasn't bad at spotting wild berries (a familiar pastime in summers at home). Here, y friend introduced me to berry I'd not seen before.  I could recognize the wild blueberries on bushes, but these berries, called corbezzoli,  were  new to me. They look exotic, but seem to grow everywhere here. Their texture and taste is a bit  like a strawberry (and they are related). Their cute shape and vivid colours make me want to hang them out for parties. 



The key venture , though, remained the hunt for the wild asparagus. 

How and Where  to Look When Asparagus-Hunting 

Pick sunny day to go asparagus-hunting and look along the road verges for wispy slim fronds that poke out a bit like rosemary.  It took me awhile to catch on to how to stalk them (punny, yes). 

The trick to finding these reticent delicacies is to look for the silver-green, unkempt, and straggly fern-like bushes that tangle around other plants.   The more brightly green little asparagi (who says that?) grow among this chaos of green. But once seen, you've got a good idea of what to look for. As you reach in for the picking, they tend to scratch your hand to confirm they've been caught. 

They grown hidden among the ordinary dense green growth of bushes, ferns, and vines of this region. Hardly visible in the photo below, those are the spindly, feathery stalks that asparagus  grow on.  Trouble is, those spindly, feathery  stalks look much  like others that are not the asparagus variety,. It takes time and practice, I guess. 

When you find them, though, they are much more fragrant and intensely flavoured than the thicker and more anemic store-bought kind. So good. 

photo of wild asparagus growing in Umbria

Here's what a collection wild asparagus looks like, taken from a site with a great frittata recipe for them (click here). 

Nothing Gets Taken for Granted

Asparagus hunting was the goal of this expedition. Frankly, though, anything would have been  a good-enough reason on a bright day in rural Umbria.. It's really glorious: the temperature is just right for walking, the sky is filled with light and just enough cloud to make it interesting. And of course the birds are in full voice. I don't know much about birds, so it surprises me that they sing even at night here.

As I walk along the paths, it js  easy to imagine what prompted St. Francis to talk to the birds. And  how clearly the birds must have talked to him. The birds really do seem to call out to me when I'm out walking here. Some whistle like a friend down the road might do to get your attention. Others sound sharper, like New Yorkers I remember calling a cab. Others seem to flirt or tease. Others just sing bits of melodies,  chirp, trill, warble, or even stutter their message. They don't seem to mind sharing the countryside with you. And all the many cuckoos around here form a  persistent chorus! I've unofficially named our little rock-strewn road, la Via dei Cucoli , in their honour.

I was thinking that everything here seems so well placed, so settled in, giving a very satisfying impression of itself. Even the apparently anarchic asparagus bushes seen to be just where they should, once you find them. No wonder, really, given that this land has been grazed and tilled, and grown for centuries. Still, the land itself, especially when seen from a distance, looks so casual but finely laid out As if nature itself is guided by the Italian notion of  fare una bella figura.  

Yet this high Umbrian land is not at all an easy place for cultivating crops,  given all the rocks in the soil. Even today, much work still needs to be done manually. People work hard here in . And the rocks keep piling up year after year, as if the earth grows rocks as fast as it grows vegetables. Still, there is (for me) a grace to this countryside: the peace, the simplicity (not the ease) of life here, the i invitation to roam slowly about , the seasonal changes,  and varieties of natural sounds. I know it isn't always idyllic in the countryside. But leave me to my moment here... and share it.

More Creative Life News

You can read and see more about Italy at Creative Life News here. plus other travels and creative adventures by this itinerant artist at Creative Life News here










 




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SCAM ALERT!! Artists Beware!

Cons  are a nasty pseudo-art produced by 'con-artists', some nether-inhabitants of the human spectrum. Cons have existed forever, shape-shifting to contemporary formats and target populations. Well, legitimate artists are no exceptions as targets. In fact, they may be particularly vulnerable to clever forms of conning. Artists want others to see their work, like their work, and (bingo) buy their work. They may even be especially hopeful people and generous in their willingness to share information, showing their work widely on the internet, advertising their locations, and encouraging others out there to join in. This wide net may pull in a few nasty fish  disguised as angel-fish.

Today's Thought:
There's a sucker born every minute.
(attributed to P.T.Barnum but repudiated by him, see Wikipedia.org)

It just  happened to me. And it's important for you to know about and BE WARNED.

A few days ago I received an email, just after starting Janet Strayer Says and being all pumped-up about it. What a reinforcement! A fellow from California said he wanted to buy one of my paintings because he was moving to new digs and eager to to decorate with fine art. He wanted to get my painting asap before it was grabbed and before he had to leave for business commitments. Would I send him the price and shipping costs? Wow. Sure I would. I emailed back the price but added that shipping costs and duty would be exorbitant from Europe to California. If he could wait until I was back home in Vancouver, I would reserve the work for him at the price mentioned plus shipping, etc.

He replied almost immediately in a friendly email, adding some personal information: he was a marketing executive who'd just been promoted, had been in  the UK and was soon to take a business trip to India . YES, yes, to the painting and price (undervalued, he expressed). Because of move and his business trip, he would have his shipping agent come for the painting with a certified check.

Uhm. This lit something on the back burner. Years ago, my friend, Ingalora, living in Mexico, had emailed about something that was now creating some smoke. I now spoke to a few other people, too. Here's the rub, actually the sting of it:
  • Someone says he will buy your work by an overdrafted certified check or money order  that pays more than the actual cost of the item plus shipping, etc. 
  • He asks for your address/phone in order to send his agent to inspect the work and pay you.
  • The amount is more than your actual costs. The given explanation for 'why more?' is because the buyer is had to rush off (usually explained in his email to you) and so left more than enough to cover the "details" with the shipper; the buyer is not only plush with funds but also a good fellow in trusting you not to draw more than the agreed-upon amount. 
  • You believe him because it is a "certified check" or similar .
  • You give the shipper the goods and pay the amount owing (because you are trustworthy).
  • The "certified check" is a fake, but you find this out weeks after the bank has apparently put the money into your account. (It does register as a deposit on your  bank account for 1-2 weeks until the fake is discovered).
  • You are out your wonderful painting AND the amount you paid the shipper. 
You may cry, rage, and feel a fool. But, to my knowledge, you cannot do anything to retrieve your losses. Still,  you can warn others to beware and take the following action if you get a similar kind of "offer." I kept a copy of the emails connected my experience of this con. Bottom line remedy (or at least it's what I did):
  •  I got my painting linked to a PayPal account for sellers (I already had one for internet purchases I made). 
  •  I wrote the buyer (politely, it might not be a con) that I would only accept PayPal payment. Being a friendly person, I added why (I was living and travelling in Europe) and repeated my offer to hold the work for him. 
  •  I asked the buyer for an exact shipping address, so that we could arrange for the proper shipping costs, and any other applicable costs.
  •  I concluded in my email that I could only do business with him under these conditions. 
End of story. He did not continue our correspondence. I'm sadder but wiser... and at least not poorer for it.

Today's Painting (the one he wanted!)

Lady Ermengarde  (early version) by Janet Strayer, see janetstrayerart or click here


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Monday, May 2, 2011

Paintings and Poetry

CHILD OUT OF TIME, the slideshow I last posted, is from a collection of 24 images I made for a solo art show with the same title. The show emanated from my concept of childhood as enduring beyond time and place: as memory, reverie, yearning, and hope. Its monochromatic scale evokes a sense of timelessness while emphasizing the subtleties and strengths of tone, dramatizing the distinctiveness of each image. One of its pieces was submitted to an international art competition and won a First Place in The Artist's Magazine all-media competition (June, 2010 publication. A good site for those interested in visual art and that hosts this magazine is click here.

Process: In these digital paintings, I paint on an electronic tablet with pressure- sensitized 'brushes' responsive to my hand. A computer and two monitors let me see the effects as I draw and paint on different layers of my emerging composition. Pixels, rather than paint, are deposited and pushed or pulled into place at different layers of the work, from microscopic to surface.The techniques I use are similar to techniques I use in traditional painting: sketching the compositional elements, modeling the big forms, refining the details. Many of the works rely entirely on this kind of painting "from scratch". I also include collage in some compositions, introducing personally altered elements from my other paintings and photos. (for more, see the Digital Gallery at www.janetstrayerart.com)

There is a personal story to these paintings: their initiation by an old photograph I happened to see a tiny, one-room museum in a small European town, and the extent to which images relating to what finally became these paintings took hold of me over the course of two years. You can read about this in a well-written press article (below). What I want relate now is the wonderful experience of seeing them all together in a beautiful, white-walled gallery space, looking out at the viewers.

Opening night was a blast. But even more terrific was an event that followed. It was a poetry-festival in which poets read the poems they had drafted based in some way upon these paintings. Sitting in the audience, unknown to nearly all  of the poet-readers, I was seeing the works as if for the first time, through their creative visions. It was thrilling! Not only because I had been intimately involved with these paintings, but because I felt, in my bones and being, the largeness of what creative acts can do: that any one form of art can create multitudes of creative experiences.

Today's Thought:  
Painting is poetry that is seen rather than felt, 
and poetry is painting that is felt rather than seen
~Leonardo da Vinci

Before this poetry event took place, I was interviewed for the press by Olga Livshin, an interesting writer and journalist whom I had never met, nor had I previously had the pleasure of reading her work. Olga proved to be prescient in entitling her article about my show, headlined: There is Poetry in Childhood: Janet Strayer’s art illuminates the subtlety of emotion. I've been interviewed before on various topics, including my art. But I must say that the insightful questions asked and the understanding conveyed by Olga were rare and much appreciated. Her newspaper article begins, "Janet Strayer's art illuminates the subtlety of emotion. ..." The full article can be viewed by clicking here.



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Sunday, May 1, 2011

CHILD OUT OF TIME and the Vancouver International Writers & Readers Festival

Going to a recent art show in Todi, Italy  reminded me that I'm a painter. I've been spending all my spare time  blogging about Europe! Then it occurred to me to give  YOU an art show, one-on-one, of selected works from a 2010 solo show I had in Vancouver. Plans are for some of these to be the core of a new show (expected in 2012 ) including new full-color  paintings reinterpreting these originals. (mixed media color) in 2012. 


I hope it comes across reasonably well given the works will lose a lot of definition in cyber-translation to your monitors. I'll talk about the works later, but let me show you selections of these monochrome works from my show, Child Out Of Time. You can see more of these works on my website janetstrayerart.com.
Let me know your reactions .



Remember about "Ekphrasis"  mentioned in my previous post? The art show I had in Vancouver led to a wonderful event organized by Reisa Smiley Schneider, the curator of the Zack gallery. Organized as part of Vancouver International Writers & Readers Festival, it was a poetry-fest in which known poets of the region presented their poems based on these works. The "amateur" audience joined in as well.  It was AMAZING. I've rarely experienced such a thrill as feeling how one kind of artistic work (especially one produced by me) could generate such phenomenal spin, when seen by another person, stimulating and generating art anew. And so the spin of creative action goes profoundly into and beyond each participa seent's experience: poet, painter, talented hearer or viewer.
[For the event, An Evening of Art and Poetry and the names the participating poets, click here.]


Let me know your reactions and comments.
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